THE VOSS PAPERS

West Gallery

Reached by crossing the Grand Hall from the Jefferson Library. Gentler light here, filtered through tall windows over the south lawn, and a clock that is never quite in time with the one in the East Gallery.

A woman in a pink gown and wide pink hat at a crowded formal party.

The Girl in the Pink Dress

James Tissot, 1882 · oil on canvas

James Tissot is the house's favorite artist, and she is the favorite of their Tissots, which, in this family, is a harder title to hold than it sounds. Stand anywhere in this room and she is looking right through you.

Madame Tebieux in a white ball gown, long white gloves and a tiara, smiling at the center of a crowded candlelit reception, gentlemen in evening dress around her.

The Queen of New Orleans

James Tissot · oil on canvas

Élise hosts a society reception for former Vice President Aaron Burr. By now she is known the length of the Mississippi as “The Queen of New Orleans.”

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Madame Tebieux in the foyer, a flintlock pistol raised and still smoking.

The Foyer

James Tissot, 1883 · oil on canvas

Not all visitors are welcome, and Élise let this one know in no uncertain terms. Not Tissot’s usual commission, but by his own account his best likeness of a woman who has just shot a man and still looks elegant doing it.

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A felucca under full sail cresting a wave, three men aboard, one waving his hat.

The Felucca

Homer (which Homer, nobody has settled), 1880 · oil on canvas

Bought for almost nothing on a quay somewhere during the Italy honeymoon of 1880, and worth considerably more to this family than anything else on this wall. An early work, but it already has his gift for sea, sun, and wind in motion, enough of it that more than one young man in this family has heard this painting discussed at dinner and joined the Royal Navy shortly after.

A Black woman in a blue satin gown playing a grand piano by candlelight, a man in uniform looking on, dignitaries in the background.

Command Performance

James Tissot, c. 1880s · oil on canvas

Another Tissot the family keeps of Élise Tebieux, painted a few years after they first met, after an official posting had taken Supervía elsewhere entirely, though apparently not far enough. She is at the piano and plainly the calmest person in the room; it's everyone else, dignitaries included, doing the watching.

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