THE VOSS PAPERS

East Gallery

Reached from the Grand Hall. Three paintings, one of which the staff have learned not to look at directly.

A man in a dark coat standing in a doorway, gloved hand raised, an unreadable expression.

The Bamberg Window

Théodore Géricault, 1820 · oil on canvas

A portrait from life, commissioned by Sir Philip four years after a pencil sketch of the same face had already been drawn an ocean away, by someone who had never seen the man, from nothing but a description given at a dinner party in Geneva.

Read how the sketch was found →
A dark, menacing portrait of a wild-eyed, snarling man, lit from below, in the manner of Goya's Black Paintings.

The Toulon Goya

Attributed, undated · no title plate

Sir Philip wrote to Spain asking for a battle scene. The letter reached the wrong Goya, and what arrived instead was a face from the Black Paintings years, unlabeled ever since, and hung where the morning light reaches it last.

Farmers tending a field, smoke rising from a kettle fire, a pile of human and horse skulls and bones in the foreground.

The Harvest

Hugo Mühlig, 1890 · oil on canvas

A quiet field scene, and not the one it first appears to be. Look past the men with their shovels and their boiling kettle, to what they are actually gathering: human and horse bone, dug out of the Waterloo ground decades after the battle and rendered down for bone meal, sold on to fertilizer merchants who never asked where the harvest came from.

A tall ship under full sail, driving through heavy seas.

American Frigate! Closing Fast!

Nicolas Pocock, 1813 · oil on a round canvas

Sir Philip's ship, caught mid-chase. Pocock painted the whole thing from a sailor's own account, down to a detail nobody asked for: look closely at the lookout's telescope, and there is sea spray on the lens. The story behind it is HMS Falcon.

Two men standing on either side of a large globe on a stand, one considerably larger than the other, in a formal sitting room.

Ox and Voss

Artist unrecorded, mid-19th century · oil on canvas

Ox on the left, built on a scale that makes the globe between them look modest by comparison; Voss on the right, hand resting on the other side of it. It hardly looks it in this canvas, but Voss stood a full six feet himself. Ox was simply larger again. Forty-some years of friendship between them, by the family's count, and the globe they're both touching marks out a fair portion of how much of it they spent covering ground together.

The Voss family coat of arms, a ship under sail on a blue field, motto Audax at Fidelis.

The Voss Arms

Audax at Fidelis (Bold yet Faithful)

Shield: azure, a frigate of thirty-six guns in full sail, sailing to the sinister, her hull striped black and white, with three mullets about her; on a chief wavy, a naval cutlass proper laid horizontally between two cannonballs. Crest: upon a naval crown, a lion rampant guardant holding in its dexter paw a tattered Union Flag. Supporters: on the dexter, a Devon bull standing on a patch of turf; on the sinister, a dolphin haurient, leaping from the waves. Motto: Audax at Fidelis, on a scroll beneath.